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Quilters Find a way to care

99260 - 99264

 

Date: Mon, 20 Sep 1999 19:18:43 -0700

From: Julie Silber <quiltcomplex@earthlink.net

Hello All,

First, a word about Doreen. She was the greatest. Talented, funny, open

and generous -- spiritually generous! A true joy. Hard to believe she is

gone. Such a presence!


Next, a question I have had for years -- why did some folks make their

letters backwards? You know, the N's and S's. Here's why it has come up

for me again NOW -- I have a quilt signed (in FOUR places!) by a woman

named "Mary E Stevens." The first "S" in her last name goes in the right

direction but hthe last "S" is backwards. So, it appears that she KNEW

the conventional way to orient it  but chose to do reverse it. WHY???


The signatures are all the same, all in cross stitch and beautiful! Ms.

Steven's skill as a needlewoman is apparent. The quilt, dated 1853, has

never been used and it is grand. All things point to it being an

heriloom piece made by a well-to-do, presumably educated woman. I know

someone out there in this list will know. Please share!


If you want to see the signature, I can e-mail you a photo, or you can

look at it on eBay (#16659320) -- I have the quilt for sale this week

only.

Julie Silber


------------------------------


Date: Mon, 20 Sep 1999 23:48:13 -0400

From: "J. G. Row" <Judygrow@blast.net>

To: "Quilt History List" <QHL@cuenet.com>,

        "Newbie Richardson" <pastcrafts@erols.com>

Subject: QHL: Omaha and Denver

Message-ID: <012801bf03e4$22108cc0$468fa2cf@judygrow>

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>  Do you know if J. G. Row was headed home after the the conference - or

>did she and Alan go visit grand kids first?  From the looks of the storm

>path, they might have been hit by Floyd if they went home to NJ.

>Cheers, Newbie


Newbie, and all,


Allan and I met in Denver after the Omaha Conference, and we only got back

late last night.  I've got 2 weeks of store business to catch up on, and

gobs of e-mail to go through.


Our younger son Justin has been running the store, and we prevailed upon him

to move back home for the time we were travelling.  It's a good thing we

did!  He closed up the store early on Thursday, "Floyd's Day," after getting

everything up off the floor and onto work tables, and came home to our

house.  He was just barely able to make it through the water at the end of

the road.  A half hour later, after checking the basement,  he went out

again with his polaroid, and took photos of the stop sign at the turn in the

road  and the 19th century pony-truss bridge that he had just travelled.

The water was just lapping the bottom of the sign, 4 feet above the road

surface.  That was turning left from our driveway.  Turning right he could

go only 3 houses before  he was stopped by water covering the road.


Our house sits halfway up the side of the hill, and the house is on a raised

foundation.  The basement is below grade at the back of the house, but at

grade level at the front.  When he got home again 1/2 hour later, there was

2" of water in the basement.  He got the sump pumps going, and found the old

swimming pool pump (we had the old pool dynamited 2 years ago) and got that

going too.  Within an hour all the standing water was gone.  All of the wood

and antique furniture that Allan keeps down there to work on he got put up

on paint cans so no damage was done to anything.  The fans are still

spinning furiously down there to keep away any mold.


We had a wonderful time in Denver with Matthew, Justin's older brother, and

our DIL and especially Sophia, our soon to be 2 year old granddaughter.


We did some antiqueing, and I came home with a 1910 cotton foundation pieced

strip quilt with what we would consider very contemporary construction

methods.  The maker hand pieced her strips to muslin to finish about 10"

wide, and then joined the strips with twill tape which she used to cover the

seam on the back.  Today we would call that "quilt as you go".


In addition, a friend here in New Jersey made the arrangements for us all to

have a special dinner at his twin brother's restaurant in downtown Denver.

All you local Denver folks, and those of you going to Denver, "1515 Market"

(the name and the address) is a wonderful, elegant,  restaurant, owned by

Eugene Tang.    I highly recommend it for your special evenings out.

Service and food are 4-star quality, but prices were very reasonable (for

someone used to New York pricing -- well, never quite used to it).  And,

they were very gracious about our very cranky almost-two-year-old who just

didn't want to be there, no-way, no-how!


Newark and Philadelphia airports re-opened on Saturday, so we had no trouble

flying out on Sunday.  However the airport was chaotic and our flight was

overbooked. My luck held, though!  There was one empty seat on the plane,

and it was in our set of 3 seats!  We were able to put down the arm rests

and have adult width seats for the 4 hour flight.


For the second year in a row, I am in awe of Nancy Kirk and her super-loyal

staff, speakers, and family, who put together an incredible 9-day conference

in Omaha.  I attended for 7 of those 9 days, and am in information overload.

But -- I'd go back in a minute if we could do an instant replay.  Lynn

Gorges did a good job describing the excitement we all felt with every new

conference event.


Newbie, your daughter did a fantastic job restoring the crazy quilt.  Many

folks know that Crazies often leave me cold, but I fell in love with that

one. The colors and the opulent fabrics and stitching looked so rich and

new!  It was a good thing that Nancy tapped me to be the auctioneer (an hour

before the auction) --  so I couldn't bid on it.  But the bidding was fast

and furious on that item. I am so excited to hear that it will be auctioned

again for another good purpose.


I came home with 8 rolls of film to develop, 7 of them from Omaha, only one

from Denver.


More on the aftermath of Floyd -- one of my employees has been living in a

hotel since the building inspector declared her house in Princeton

uninhabitable.  She pumped 8 feet of water out and is now digging out 2 feet

of mud.  The foundation shows signs of weakness, and she may have to jack up

the house and build a new foundation under it.


None of the restaurants, pizza joints, supermarkets, etc. along the Route

One Corridor, between Trenton and New Brunswick have been able to operate

since Thursday because the water treatment plants are contaminated.  That

means no Starbucks for us at the store!  We had to go out and buy bottled

water and a coffee maker, and everyone is bringing their lunch from home

instead of running out for pizza, or McDonalds, or whatever.  I don't know

how long that will go on.  At home, our 200 year old well is just fine.

However, the grass is growing like it is springtime and Allan spent many

hours on the tractor today, mowing, mowing, mowing.  All this water is

months too late for the corn.


Judy in Ringoes, NJ

judygrow@blast.net


------------------------------


Date: Tue, 21 Sep 1999 06:05:25 EDT

From: Feathrwate@aol.com

To: qhl@cuenet.com

Subject: QHL: Saving old featherbed and upcoming show

Message-ID: <e64bc16a.2518b265@aol.com>

Content-Type: text/plain; charset="us-ascii"

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    Darwin, could it not be recovered?  Once I recovered a wool bat that had

been in a local family for many years, and it was a manageable job.

    I also wanted you who travel I-85 to know that my friend, Kathryn Smith,

and I will be hanging a two-woman quilt show next week.  It will be on

display through Christmas at the Historic Commission headquarters in

Pendleton, SC.  Hours:  9-4:30, weekdays.  Located in the old red brick

general store on the square in Pendleton.

Linda Harral


------------------------------


Date: Tue, 21 Sep 1999 10:18:59 EDT

From: Palampore@aol.com

To: QHL@cuenet.com

Subject: QHL: flood relief

Message-ID: <4d4d9b34.2518edd3@aol.com>

Content-Type: text/plain; charset="us-ascii"

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I did my first "quilt rescue work" last night.  I had never been to the house

but I knew when I got near it that I was at the right place.  The entire

porch was draped in wet quilts.  This was the home of a woman who was

salvaging her 81 yr. old mother's quilts.  Grandma got out of her house on a

row boat that sat her son and grandson in front and behind her----each

paddling with Grandma sitting in a chair in the middle.

The granddaughter went yesterday and got the quilts.  There were 16 total. 

They were draped over the porch, swing, inside on the stairway banister, and

over beds and floors.  They ranged from soaked to a little wet.  They smelled

to high heaven!!!!

The ages were from 1880 to 1940.  None were museum quality but all are loved.

 The granddaughter is a weaver so she has a very special place in her heart

for them.

It is raining here AGAIN so they can't wash them and then put them out to

dry.  Several are much too fragile to stand up to the tumbling of a dryer. 

I told her which ones would stand up to gentle washing in a washing machine

and which ones needed to be put in her bath tub or my big tank.  Due to the

large # of them and the  rainy conditions she will also put some in the dryer

that are the most sturdy just to dry them for now to keep mildew away.  I

know this will set some stains but this is an emergency, not a perfect world.

I am typing up a sheet on washing by machine and washing in the bath tub to

distribute to quilt groups, etc.  Sharon Tandy gave me some great info a year

ago which I hope to use.  Then I also got a great deal on the internet.

The most difficult part is that many items will have to be tossed out due to

the fact that sewer systems for livestock and humans are overflowing all over

the place.  They have dead animals floating down the rivers.............. 

Most items if at all salvagable due to this health issue need to be washed in

a mixture with chlorine bleach.  How much bleach can a quilt survive

in???????????  I might know the answer before this is all over.

Gotta run.  Will keep you posted.  Have had some generous offers of fabric

stashes.  Plan to get up with quilt guild presidents this week.  I see that

as something that will be most welcomed in a few weeks when they start to get

their lives back together.

Lynn Lancaster Gorges, New Bern, NC


------------------------------


Date: Tue, 21 Sep 1999 17:07:05 EDT

From: KareQuilt@aol.com

To: QHL@cuenet.com

Subject: QHL: British Quilt Study Group

Message-ID: <6bb1971f.25194d79@aol.com>

Content-Type: text/plain; charset="us-ascii"

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Celia, Thanks for your post on QHL. I tried faxing my order to the British

Quilt Study Group per your post using the phone number


011-44-0142-324-5017


but I get an operator recording telling me it is not a correct number.


Could you please clarify the number for me.  I appreciate your help.


Karen Alexander


------------------------------


Date: Tue, 21 Sep 1999 16:10:11 PDT

From: "Anne Copeland" <anneappraiser@hotmail.com>

To: vsayre@nesa.com, QHL@cuenet.com

Subject: QHL: Re: Doreen Speckmann

Message-ID: <19990921231012.47495.qmail@hotmail.com>

Content-Type: text/plain; format=flowed


So sorry to hear about Doreen.  She was one of my all-time favorite teachers

who had a wonderful sense of humor, and added so much to the lives of all

who took her classes.  She made us feel good about even our "worst

mistakes."  She will be sorely missed, and I am grateful we had her even for

such a short time.  Sincerely,  Anne Copeland


------------------------------


Date: Tue, 21 Sep 1999 16:36:26 PDT

From: "Anne Copeland" <anneappraiser@hotmail.com>

To: quiltcomplex@earthlink.net, QHL@cuenet.com

Subject: Re: QHL: Re: "Backwards Letters"???

Message-ID: <19990921233626.30578.qmail@hotmail.com>

Content-Type: text/plain; format=flowed


Perhaps she had dyslexia, which in former days might have gone unrecognized.

  I too have seen such quilts, and always wondered about it, but then I have

seen things with very odd spellings, a common occurrence in the early years

of our country.  Anne


------------------------------


Date: Tue, 21 Sep 1999 17:03:09 PDT

From: "Anne Copeland" <anneappraiser@hotmail.com>

To: Palampore@aol.com, QHL@cuenet.com

Subject: Re: QHL: flood relief

Message-ID: <19990922000309.78779.qmail@hotmail.com>

Content-Type: text/plain; format=flowed


Hi Pam,

What a touching tale, but it is you all over.  Thank you for your ever kind

deeds to others.

Would you be so kind as to share your quilt washing sheet with us on the

internet, or at least in the newsletter?  Glad you are OK too,  Anne

 

Date: Wed, 22 Sep 1999 00:45:41 -0400

From: "J. G. Row" <Judygrow@blast.net>

To: "Quilt History List" <QHL@cuenet.com>,

        "Julie Silber" <quiltcomplex@earthlink.net>

Subject: QHL: backwards S

Message-ID: <003f01bf04b5$53ae8080$a08fa2cf@judygrow>

Content-Type: text/plain;

        charset="iso-8859-1"

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Julie,


Perhaps your quilt maker, Ms. Stevens, like many others, decided to come up

with a unique look to her signature, something unforgettable.  Some of us

make our loops really big, some of us spell the name oddly, some dot the

"i"'s with smiley faces (ugh!).


The Esses front and back make the word seem more symmetrical.  Maybe it

became her "logo."


I don't think there is a universal answer to your question, but  I think she

simply wanted to be unique.  Unique enought for someone 150 years later to

comment on it!  She succeeded.

Judy in Ringoes, NJ

judygrow@blast.net


>why did some folks make their

>letters backwards? You know, the N's and S's. Here's why it has come up

>for me again NOW -- I have a quilt signed (in FOUR places!) by a woman

>named "Mary E Stevens." The first "S" in her last name goes in the right

>direction but hthe last "S" is backwards. So, it appears that she KNEW

>the conventional way to orient it  but chose to do reverse it. WHY???


------------------------------


Date: Wed, 22 Sep 1999 07:51:57 -0400

From: Alan Kelchner <quiltfix@mail.jax.bellsouth.net>

To: ".Quilt Heritage List" <qhl@cuenet.com>

Subject: QHL: backwards letters

Message-ID: <37E8C2DC.FFF693B7@mail.jax.bellsouth.net>

Content-Type: text/plain; charset=us-ascii

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I, too, thought of dyslexia, but then also thought - maybe someone had

written it out for her the first three times and then she tried to do it

by herself.  Too bad we can't ask her ...


Alan


------------------------------


Date: Thu, 23 Sep 1999 05:25:24

From: Alice & Alfonso Cruz <akcruz@ix.netcom.com>

To: QHL@cuenet.com

Subject: QHL: backward letters

Message-Id: <3.0.6.16.19990923052524.0b9f3772@popd.ix.netcom.com>

Content-Type: text/plain; charset="us-ascii"


Julie Sibler wrote:

I have a quilt signed (in FOUR places!) by a woman

>named "Mary E Stevens." The first "S" in her last name goes in the right

>direction but hthe last "S" is backwards. So, it appears that she KNEW

>the conventional way to orient it  but chose to do reverse it. WHY???


My oldest daughter went through a period when she first learned to write

where she made many of her letters backwards, "s" being one of these. When

I expressed concern to her 2nd grade teacher, the teacher explained it this

way to me. "When I see a chair, I recognize it as a chair, regardless of

its' orientation. If it is sitting correctly on 4 legs, it is a chair. If

it is lying on its' side, I still recognize it as a chair. The same applies

for novice writers. Your daughter knows what a "s" looks like & recognizes

it as a "s" in any orientation. As she gains skill & experience, she will

also learn that there is a "correct" way to write "s" and the backward

letters will disappear from her writing."


This teacher was quite correct. My daughter (now 17) no longer has backward

letters in her writing. Maybe these mis-orientations are unintentional

errors by someone who did not write often.


Alice Cruz

The Quilted Chile

akcruz@ix.netcom.com


------------------------------


Date: Wed, 22 Sep 1999 07:25:05 -0700

From: "Robins-Morris, Laura A" <lrobins@fhcrc.org>

To: "'QHL@cuenet.com'" <QHL@cuenet.com>

Subject: QHL: Backwards Letters

Message-ID: <21C98F2C5C8AD1118AD200805FEACAF001A13EB1@moe.fhcrc.org>

Content-Type: text/plain


Maybe they didn't see it as important (the direction of certain letters), or

maybe some folks didn't know there was a "right" way.  Just because one

letter of the two was "right" doesn't mean she recognized it as correct.

However, if she really was an educated person, then it's harder to explain.

I'd love to hear from someone who might have some background in linguistics,

education, and writing, etc..

The dylexia suggestion is a good one too.

Laura in Seattle


------------------------------


Date: Wed, 22 Sep 1999 12:03:53 EDT

From: Kathi2174@aol.com

To: akcruz@ix.netcom.com

CC: qhl@cuenet.com

Subject: Re: QHL: backward letters

Message-ID: <93ae14f5.251a57e9@aol.com>

Content-Type: text/plain; charset="us-ascii"

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In a message dated 9/22/99 5:33:22 AM Pacific Daylight Time,

akcruz@ix.netcom.com writes:


<<

 Julie Sibler wrote:

 I have a quilt signed (in FOUR places!) by a woman

 >named "Mary E Stevens." The first "S" in her last name goes in the right

 >direction but hthe last "S" is backwards. So, it appears that she KNEW

 >the conventional way to orient it  but chose to do reverse it. WHY???

  >>

I wonder if someone with knowledge of 19thC. writing styles could help?  Why

was the letter "f" elongated?  Could the "s" reversal on Julie's quilt be

done for a similar reason?  Weren't there traveling handwriting teachers or

was that later?  I read an article about the Palmer method (forget where)

that described the success instructors had with classes and sales of

booklets.  What is the correct name for the study of handwriting...graphology?

Wish I knew more answers than questions!

Kathi in Calif.


------------------------------


Date: Wed, 22 Sep 1999 12:05:58 EDT

From: QuiltNews@aol.com

To: QHL@cuenet.com

Subject: QHL: shop etiquette

Message-ID: <49ecfb67.251a5866@aol.com>

Content-Type: text/plain; charset="us-ascii"

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Recently, while looking in various antique shops, I have been confused about

how to look at a quilt that is for sale.  Often the quilts are folded very

nicely and to get a look, one must pull the quilt out and open it up....and

then there is the problem of getting the quilt back the same way you found

it...impossible with only two hands....shop owners have seen me struggle and

don't offer and suggestions or help! And I really feel terrible about

touching these quilts without any protection on my hands....example.....one

store had many (30+) quilts in cubbies....overwhelmed with the task of

looking at these quilts I asked the owner if she had any pictures of the

quilts (so that I might preview them) she said no, I would have to pull them

out individually.....I was in a rush for time (traveling out-of-state) and

gave up....perhaps that is what she wanted!


Suggestions.....


Ann


------------------------------


Date: Wed, 22 Sep 1999 10:59:45 -0600

From: Sharon Harleman Tandy <harleman@micron.net>

To: qhl@cuenet.com

Subject: QHL: backward letters

Message-ID: <37E90B00.5925@micron.net>

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit


Hi QHLers,

  The elongated 'f' WAS the 's'.  If you found out the wordf, replacing

'f' with 's', they make fenfe!  So, if the spelling of our language was

undergoing change, and the shapes of our letters was evolving, it makes

'fenfe' that some would be confused. 

  As for roadside fruit stands and even professional sign painters

reversing letters, I remember working on cross stitch samplers as a

child, and later making signs--I could be so focused on the detail of a

letter or shape that I would forget what I was spelling out.  Ask any

calligrapher.  Sharon.


------------------------------


Date: Thu, 23 Sep 1999 05:52:20 +0400

From: Xenia Cord <xecord@netusa1.net>

To: QHL@cuenet.com

Subject: QHL: re: shop etiquette

Message-ID: <37E987C1.D2D@netusa1.net>

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit


To Ann and everyone else who has faced this difficulty:  those of us who

are sensitive to the damage repeated handling and folding can do to

quilts, the problem persists of how to look at them properly when they

are arranged for sale.  Shop owners often arrange their wares with an

eye to "curb appeal" - in other words, if you aren't attracted into the

shop or booth, you won't buy.  Unfortunately, this often means that

quilts are hung or displayed in other ways that may be cute

arrangements, but don't make for easy viewing.


I have a booth in an antique mall, and I must confess to just this kind

of set-up; some of my quilts are hung on embroidery rings from a long

row of pegs on the wall.  I try to display then so that most of the

design is evident, and the rings should make it easy to look and

replace.   It seems to me that if selling is the object, then customers

should be encouraged to take down, open, unfold, or whatever.  My only

objection is to those who drop the quilt like it has offended them, in

an unruly heap on the nearest horizontal surface.


When I shop for quilts I am not shy about asking the attendant:  "I'd

like to look at this quilt.  Would you help me unfold it, please?"

Asked directly, they can't refuse without being rude.  So, Ann, if you

want to look, go ahead and handle the quilt, asking for help if it is

available and replacing the quilt as nearly as possible in its original

position.  Maybe you'l buy, and save the quilt from deterioration by

careless shoppers <G>!

IMO -

Xenia

 

Date: Wed, 22 Sep 1999 20:53:54 EDT

From: EllynLK@aol.com

To: QHL@cuenet.com

Subject: QHL: Pleased As Punch

Message-ID: <be786e1a.251ad422@aol.com>

Content-Type: text/plain; charset="us-ascii"

Content-Transfer-Encoding: 7bit


I'm sorry to take up bandwidth about something so silly...  but there aren't

many people who could truly appreciate my small miracle today!


About four years ago, I bought a mauve-y-salmon solid cotton destined for a

quilt I was making.  It turned out to be entirely wrong for the one I planned

it for.  The yardage went to the Box (the frightening stash that grows in the

dark; it must because it's in the garage and every time I go out there, I

swear there is more!  I don't know WHAT those quarters and halves are doing

when I'm not watching!).


I began a quilt for my mom last year.  The mauve-y-salmon was perfect.  And I

began to cut and sew.


I made a dumb error in my yardage calculations.  And, of course, I ran out of

the color.  I went to look for more--  and couldn't match it.  I finally

settled on a mauve that had more of a nut-brown tinge (rather than the rosy

one of the original).  But I couldn't cut it.  It was WRONG.  If I was sure I

had enough of the original left to cut half of the needed pieces with it, I'd

be fine, for a half-and-half effect.  But I wasn't sure (this quilt has been

cursed.  I've taken out more than I've put in...  it's for my mom and I know

it has to be the best I can do).


On a whim, I went to the drug store and bought a bottle of Rit rose pink dye.

 I dyed the fabric on the stove this morning.  It came out a gorgeous

mauve-y-raspberry.  It was the right intensity and hue of the original--  

but too dark.  I went back to the fabric store, bought two yards of the

"offending" fabric and dyed it for ten minutes.  I planned to process it ten

minutes at a time to get the best match I could.


And that was it.  Ten minutes in the dye bath, and I got a match as good as I

would get if I found the stuff in the store because it would be from a

different dye lot.  The color is the same; just looks like another dye lot.


I have been stopped dead on this quilt because this was a key fabric and I

just didn't know what to do if I couldn't match it (other than take out all

the pieces of the original color and replace then and I sure didn't want to

do that!).  Now I've got as good as a match as I'll find and I'm back in

business.  I am so darn pleased with myself--  but the cat just doesn't seem

to appreciate this at all.  Thus, you all are my victims!


Little things can stop big projects--  but I got this one solved and I'm

just--  AMAZED!!!


Best,

Lauri Klobas

Pacific PaKarendes, California where it's a bit sultry and cloudy with the

remnants of Hurricane Hillary having pushed up the coast and dropped a few

raindrops....


------------------------------


Date: Thu, 23 Sep 1999 08:27:06 EDT

From: SadieRose@aol.com

To: dearjane-list@dearjane.com, QHL@cuenet.com

Subject: QHL: Fwd: Fund for Doreen's Family

Message-ID: <59862381.251b769a@aol.com>

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Here are 2 posts related to Doreen, that I thought were worth sharing:


 <<A web page has been set up to share memories, a prayer, or special

message&127;in remembrance of Doreen Speckmann at  <A

HREF="www.quilt.com/doreen">www.quilt.com/doreen</A> Please share this

information with others who may wish to contribute.

Thanks,   Ami Simms >>


--part1_59862381.251b769a_boundary

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Sender: Quilting <QUILTNET@LSV.UKY.EDU>

From: "S. Druding" <druding@STRAW.COM>

Subject:      Fund for Doreen's Family

To: QUILTNET@LSV.UKY.EDU

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I received this email from Todd Hensley, the publisher of C&T Books

(Doreen's publisher).

Thought I'd share this - please pass it on.


Susan


Susan Druding

Quilting Guide at About.com

http://quilting.about.com


=====


Dear Susan,


I'm getting the word out to people that a fund has been set up to benefit

Doreen's family. If you could post this info on your site, it would be

helpful.


Cards and donations should be sent to:


Doreen Speckmann Fund

c/o A-1 Specialty Tours

2701 Sunset Point Road

Clearwater, FL 33759


Everything will be sent directly to Doreen's family. Any questions should be

addressed to Stephen Schy at 727-796-7555.


Thanks,

Todd


--part1_59862381.251b769a_boundary--


------------------------------


Date: Thu, 23 Sep 1999 09:04:59 -0400

From: Richard Crandall <crandall@cybertours.com>

To: QHL@cuenet.com

Subject: QHL:  log cabin

Message-ID: <37EA257B.74C5@cybertours.com>

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit


Have been reading "Hidden in Plain View" and read about the log cabin

pattern being pre-1860.  I don't know why but I thought it came about

with Lincoln's presidency...is this a myth?  Checked Brackman's book but

didn't find a date on the pattern.  When do we first see this pattern? 

Second question I have for all who are "in the know"....when did fabric

width change from 35/36" to 44/45"?  Found some old stuff in my stash

and was wondering about the date.  Also have a very large piece of

muslin given to me years back by an elderly woman who dated it in late

1800's. It is very wide...maybe over 100"...can this fabric be that old?

Thanks for all your help.

Carole in Maine (who is giving her first feedsack talk in a few

weeks...hope I don't bore them to death!)


------------------------------


Date: Thu, 23 Sep 1999 11:09:34 EDT

From: KareQuilt@aol.com

To: QHL@cuenet.com, quilter@clark.net

Subject: QHL: Website

Message-ID: <6649d83d.251b9cae@aol.com>

Content-Type: text/plain; charset="us-ascii"

Content-Transfer-Encoding: 7bit


http://www.novica.com/novica_cfmfiles/products/featurePage4.htm


Check out the designs on these handwoven textiles from the Andes! Has someone

been showing them traditional American quilts or what?


Karen Alexander


------------------------------


Date: Thu, 23 Sep 1999 15:28:15 -0400

From: "John/Karen Finck" <finck@worldnet.att.net>

To: QHL@cuenet.com

Subject: QHL: FW: [QuiltTeach] Doreen Speckman

Message-Id: <19990923191833.YUSY29473@[12.79.179.2]>

Content-type: text/plain; charset="US-ASCII"

Content-transfer-encoding: 7bit


finck@worldnet.att.net


----------

From: Lyle and June Brandon <lbrandon@bellatlantic.net>

To: "QuiltTeach@onelist.com" <QuiltTeach@onelist.com>

Subject: [QuiltTeach] Doreen Speckman

Date: Wed, Sep 22, 1999, 7:26 PM



From: Lyle and June Brandon <lbrandon@bellatlantic.net>


Hi folks,


I just received this information from C&T and thought that some of you

might be interested to know this:


There's a memorial fund being set up to benefit Doreen's family, and

donations can be sent to the address below. Also, any sympathy cards can

go

to the same address:


Doreen Speckmann Fund

c/o A-1 Specialty Tours

2701 Sunset Point Road

Clearwater, FL 33759


(Any questions should be addressed to Stephen Schy at 727-796-7555)


Doreen was really a good friend to us at C&T -- we, along with the rest

of

the quilting world, will miss her so much -- our thoughts and prayers

are

with her daughter and husband. We've set up a special gallery to honor

Doreen on our website (www.ctpub.com).



Thanks..


June

--

Lyle and June Piper -Brandon

Baltimore, MD

Please come and visit us at:  http://www.jcdesignworks.com

http://www.geocities.com/Heartland/3838


--------------------------- ONElist Sponsor ----------------------------


Share your special moments with family and friends- send PHOTO Greetings

at Zing.com! Use your own photos or choose from a variety of funny,

                 cute, cool and animated cards.      

   <a href=" http://clickme.onelist.com/ad/zing9 ">Click Here</a>


------------------------------------------------------------------------


------------------------------


Date: Thu, 23 Sep 1999 15:26:43 -0400

From: "John/Karen Finck" <finck@worldnet.att.net>

To: QHL@cuenet.com

Subject: QHL: FW: [QuiltTeach] Megan Speckmann Scholarship Fund

Message-Id: <19990923191731.YUCG29473@[12.79.179.2]>

Content-type: text/plain; charset="US-ASCII"

Content-transfer-encoding: 7bit


finck@worldnet.att.net


----------

From: Karen Combs <karen@karencombs.com>

To: QuiltTeach@onelist.com

Subject: [QuiltTeach] Megan Speckmann Scholarship Fund

Date: Thu, Sep 23, 1999, 11:48 AM



From: Karen Combs <karen@karencombs.com>


I'm posting this message for Ann, since she does not belong to this mailing

list.


From: Ann Anastasio <aanastasio@home.com>

Date: Wed, 22 Sep 1999 09:11:09 -0700

Subject: scholarship for megan speckmann


Alex Anderson has asked me to post this information:


Alex anderson and Jean Wells are having a one day show, "Quilting in the

Garden" this Saturday, 9/25/99 at Alden Lane Nursery in our (alex and

mine) town of Livermore, California.  Alex Anderson is the host of

"Simply Quilts" the tv show on HGTV all about quilting, teacher and

lecturer and author of 7 or 8 books published by C & T.  Jean Wells is

an author and teacher and quilt shop owner in Sisters Oregon.  Jean

organizes the yearly outdoor show in Sisters. There are probably more

good things to say about them both, but I don't have the information in

front of me!!


At this show, there will be a basket of "goodies" to be given away.

When you make a donation to the Megan Speckmann Scholarship Fund, you

will get a ticket for the drawing.  A donation of any amount will get a

ticket.  Checks may be made to C & T Publications and ALL donations will

go directly and immediately to Megan.


I realize that there is little time to do this, and of course, only

money received BY THE TIME THE MAIL COMES ON SATURDAY will get a chance

on the basket.  I will go and check Alex's mail box right before the

drawing so we can include everyone.  If you'd care to participate, send

to Alex Anderson, Personal Mail Box 139, 1141 Catalina Dr., Livermore,

CA 94550


The basket includes new releases from C & T, some of Doreen's Provence

Line from her fabric manufacturer Fasco (spelling??), supplies from

Alex's studio, signed books from Alex, some surprises from Katy Pasquini

Maupassant (probably all spelled incorrectly, but you know who I

mean!!). Some special things from Jean wells, including signed book,

signed quilt blocks from Alex and Jean and probably more things by the

time it happens.


If checks are received after Saturday, Alex will forward them to C & T

or you may send them there.  Megan will get ALL of the money!!!


Alden Lane Nursery is at the corner of Highway 84 and Alden Lane in

Livermore at the South edge of Livermore.  Livermore has become the home

of 10 or so wineries, which are also at the Southern end of town.  If

you're coming to the show, Alden Lane is the first left as you come into

town from the South on 84.


in lovely Livermore

Ann Anastasio





--------------------------- ONElist Sponsor ----------------------------


Share your special moments with family and friends- send PHOTO Greetings

at Zing.com! Use your own photos or choose from a variety of funny,

                 cute, cool and animated cards.      

   <a href=" http://clickme.onelist.com/ad/zing9 ">Click Here</a>


Date: Thu, 23 Sep 1999 21:56:42 -0400

From: Alan Kelchner <quiltfix@mail.jax.bellsouth.net>

To: ".Quilt Heritage List" <qhl@cuenet.com>

Subject: QHL: quilts in shops

Message-ID: <37EADA5A.9C355D0B@mail.jax.bellsouth.net>

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit


Ann,


First off, from my experience it would be the infrequent mall booth that

had thirty museum quality quilts requiring gloves! <g>  Don't fret too

much about touching them, especially if they're rather "ordinary".  And

never *not* unfold and look at a quilt. I keep telling people (and will

repeat this until I die from the repetition) that if you want to find

that jam-up piece, you gotta fold/unfold all the quilts you see.  And if

the dealer has made the job of returning the quilt to it's display place

difficult, fold it nicely, neatly, and then place it somewhere safe and

clean.  I think it is essential you treat the goods with the respect you

expect to be given to your own collection. But you are not required to

contort yourself or the quilt (I think if it's difficult to return the

quilt to where it was, it shouldn't have been there to begin with!).

And for all the dealers reading this, I have one major beef with quilt

displays - PLEASE don't gather them a third/quarter from one end and

then hang them from the wall.  That make it hard/impossible to take the

quilt down to view, and harder still to return. Yeah, it looks pretty,

but it's annoying as hell. I also worry that someone will tug it down

and rip it in the process .....


Alan


------------------------------


Date: Thu, 23 Sep 1999 22:25:14 EDT

From: Cml791@aol.com

To: QHL@cuenet.com

Subject: QHL: quilts in shops

Message-ID: <6f7df0c.251c3b0a@aol.com>

Content-Type: text/plain; charset="us-ascii"

Content-Transfer-Encoding: 7bit


I stopped in a mall outside Austin, Texas, this week and they had what were

probably their best quilts NAILED to the wall.


Carolyn M.


------------------------------


Date: Thu, 23 Sep 1999 23:35:37 -0400

From: Alan Kelchner <quiltfix@mail.jax.bellsouth.net>

To: ".Quilt Heritage List" <qhl@cuenet.com>

Subject: QHL: interesting ....

Message-ID: <37EAF188.601E9941@mail.jax.bellsouth.net>

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit


interesting Wedding Ring Variation:


http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&item=166010268


Alan

never any connection to the dealer


------------------------------


Date: Fri, 24 Sep 1999 02:15:26 -0400

From: "J. G. Row" <Judygrow@blast.net>

To: "Quilt History List" <QHL@cuenet.com>

Subject: QHL: 2 interesting quilts

Message-ID: <003801bf0654$3237cb00$908fa2cf@judygrow>

Content-Type: text/plain;

        charset="Windows-1252"

Content-Transfer-Encoding: 7bit


I saw these both on e-bay.  A simple search for their item numbers will get

you to them.


I'm not going to bid on either of these, but am interested in them.  The

first is a quilt top, #166351233.  It has 4 large eagles surrounding a

central rosette.  Interesting, but something definitely wrong.  I don't

think it ever got finished being appliqued.


Then I saw quilt # 168322571, and I knew what the first one was trying to

be.


Does anyone know whether this was a kit, or  was it a regional pattern?  How

early?  Or late?


Judy in Ringoes, NJ

judygrow@blast.net


------------------------------


Date: Fri, 24 Sep 1999 06:26:38 -0400

From: Barb Garrett <bgarrett@fast.net>

To: QHL@cuenet.com

Subject: QHL: Eagle quilts

Message-ID: <37EB51DE.4F7E363A@fast.net>

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit


Hi Judy -


Thanks for sharing the quilts with us.   To my knowledge they aren't kit

quilts -- the ones I've seen date from the late 1800s, and I think of

them as being primarily PA quilts.   Jeannette Lasansky found alot of

them when she did her documentation of north central Pennsylvania Quilts

-- Centre and Juniata Counties, I think.   I'm not near my books, but

will check to see if I can find her information.  Last year we had two

at the York County (just west of Lancaster County) Documentation Days --

and were excited to find them that far south.   Carlisle (location of

completed quilt) is in the same general area.   I would love to know the

history of the Kansas one -- was it made there, or did it migrate there.


Concerning the machine applique on the top -- it isn't unusual to find

machine applique and quilting on old PA German quilts -- they did

primarily hand applique, but could do wonders with their sewing machines

-- I've seen stunning examples dating from the late 1800s.


Will try to find more information about the eagle quilts tonight -- am

headed out for the day.


Barb in southeastern PA

<bgarrett@fast.net>.


------------------------------


Date: Fri, 24 Sep 1999 07:09:58 -0400

From: "Judy Kelius (judysue)" <judy@chesco.com>

To: quiltfix@mail.jax.bellsouth.net, ".Quilt Heritage List" <qhl@cuenet.com>

Subject: Re: QHL: interesting ....

Message-Id: <4.2.0.58.19990924070718.00a11340@carriage.chesco.com>

Content-Type: multipart/alternative;

        boundary="=====================_976991==_.ALT"


--=====================_976991==_.ALT

Content-Type: text/plain; charset="us-ascii"; format=flowed


Maybe the circles didn't quite fit together?


Quilters can be inventive when things don't work quite as planned - I sold

a mid 19th-century "Rising Sun" top a couple of months ago that had seven

divisions rather than eight! I doubt that it was planned that way - there

was probably too much fullness with eight wedges. It was a strange shape!


At 11:35 PM 9/23/99 -0400, Alan Kelchner wrote:

>interesting Wedding Ring Variation:

>

>http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&item=166010268

>

>Alan

>never any connection to the dealer


--=====================_976991==_.ALT

Content-Type: text/html; charset="us-ascii"


Maybe the circles didn't quite fit together?

Quilters can be inventive when things don't work quite as planned - I sold a mid 19th-century "Rising Sun" top a couple of months ago that had seven divisions rather than eight! I doubt that it was planned that way - there was probably too much fullness with eight wedges. It was a strange shape!

At 11:35 PM 9/23/99 -0400, Alan Kelchner wrote:

interesting Wedding Ring Variation:

http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&item=166010268

Alan
never any connection to the dealer



--=====================_976991==_.ALT--


------------------------------


Date: Fri, 24 Sep 1999 19:09:05 +0400

From: Xenia Cord <xecord@netusa1.net>

To: QHL@cuenet.com

Subject: QHL: Saying goodbye to Doreen

Message-ID: <37EB9410.245F@netusa1.net>

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit


i am passing on this message for anyone who might like to attend

Doreen's funeral:


<Hi everyone


I have just talked with Megan Speckman, and have the information about

Doreen's funeral for those of you who were close to her. 

Visitation will be Saturday Morning from 10am-Noon, followed by the

funeral and a luncheon.  Fitch, Lawrence, San Fillippo, Cress Funeral

Home,  6021 University Ave. Madison, WI  53705   phone:  608-238-8406

Please pass it on to anyone you know who may be interested.

I don't know about you but I feel like I've been kicked in the stomach.

I

will miss her terribly.

Caryl


Caryl Bryer Fallert

The Bryerpatch Studio: Art Quilts, Hand Dyed Fabrics, & Patterns

http://www.bryerpatch.com>


Xenia


------------------------------


Date: Fri, 24 Sep 1999 12:15:22 -0600 (CST)

From: magee@AXP.WINNEFOX.ORG

To: J. G. Row <Judygrow@blast.net>

Cc: Quilt History List <QHL@cuenet.com>

Subject: QHL: Re:Stuff

Message-id: <Pine.PMDF.3.91.990924121044.18049A-100000@AXP.WINNEFOX.ORG>

Content-type: TEXT/PLAIN; charset=US-ASCII

Content-transfer-encoding: 7BIT


To all of you who were at the Restoration Conference with me, I wish to

thank you for your thoughts and prayers.  My husband has survived a

chainsaw cut and the ensuing flesh eating bacteria that took the flesh

off his left leg from the ankle to his waist.  He had hyperbaric

sessions, surgury and major doses of antibiotics.  They have started the

grafting process and we have hopes that it will go well.  He will be in

the hospital at least 6 more weeks.  They have told us that the survival

rate is less than 20% so we are incredibly lucky and blessed as well. It

certainly has been several helluva weeks.  Laurie


------------------------------

Date: Fri, 24 Sep 1999 13:09:34 -0400

From: "J. G. Row" <Judygrow@blast.net>

To: "Quilt History List" <QHL@cuenet.com

After I signed off and shut down last night I found another quilt in that

same 4-eagles plus center rosette pattern.  This one was in the book of the

quilts from the James collection that went to Japan , and it has a dark

background, whereas the ones on e-bay are white.  But it is definitely from

the same basic pattern.  The book dated it 1880.


I bet if I keep looking I'll find some more documented.


Anybody have any real information?


Judy in Ringoes, NJ

judygrow@blast.net


------------------------------


Date: Fri, 24 Sep 1999 18:12:54 -0400

From: Barb Garrett <bgarrett@fast.net>

To: QHL@cuenet.com

Subject: QHL: Eagle quilts

Message-ID: <37EBF766.787F6F7C@fast.net>

Content-Type: text/plain; charset=us-ascii

Content-Transfer-Encoding: 7bit


Judy and others -


Well, after an exciting day walking around Shupps Extravaganza -- and

finding a few tidbits to buy -- and getting an up close and personal

look at Marilyn Kowaleski's items in tomorrow's auction -- you could

actually pick up and study the items -- I found some information about

the 4 eagle quilts.   I've always thought of them as being PA quilts,

with alot of them being PA German.    Here's why --


Trish Herr writes in "In the Heart of PA, Symposium Papers" --  Eagle

quilts appear to nest in PA.  Although white fabric was used in

southeastern PA examples, many have orange or yellow and sometimes even

blue or colored print cloth as the background.  These Eagle quilts, some

dated, were made well into the 20th century.  Typical group of four

eagles with something resembling cigars clutched in their beaks, the

center is completed with a circular star-like motif, and various

borders.


Jeannette Lasansky shows several pictures of eagle quilts in her book

"In the Heart of Pennsylvania".   She says -- As early as 1876 another

phenomenon occurred here (Snyder and Union Counties) -- the emergence of

the Eagle applique as a favorite.   Often thought by present quilt

owners to be unique, it was anything but.   Although a printed period

source still eludes researchers, it must have existed because of the

marked similarity in the eagle's basic body construction and layout and

the consistent overall format of the three dozen "unique" quilts seen

(at their documentations).  It was a pattern so popular here that it was

frequently made again in the 1920s as a copy of "Grandmother's".  A

number of the area's nineteenth century Eagle appliques had dates from

the 1880s sewn in them or show provenance from that period.   The

earliest known example was a crib quilt by Susanne Beahm of Centre

County for her daughter born June 1876.  The date of the girl's birth

lends credence that this pattern was stimulated by the country's

centennial or, as Florence Peto maintained in an early article, that it

appeared at the time of the Civil War as a patriotic Union quilt.


The intriguing aspect of this group of quilts is how uniformly rigid

certain aspects are: the use of the shield as the eagle's torso, the

wide-open wing spread, the fan-shaped tail, the very simplistic neck,

head and beak, the placement of the four eagles on an angle to the

quilt's corners, and the use of central concentric circles or wreaths.

Other aspects change dramatically from one quilt to the next: the shape

and placement of the birds' feet as well as what they carry in their

beaks: a basket, cherries, a stuffed cherry, a ring, a leaf, or stick.

The quilting on all but two of the examples is fairly rudimentary with

the overall applique design appearing to dominate the piece.   Several

exhibit some invention with scalloped quilting read as feathers.


My comments -- In looking at the pictures again that Judy sent, the

quilt appears to be an early one and the top a later one.   Notice how

much fancier the feet are on the quilt, and the border is much more

intricate on the quilt also.   Not to mention the use of orange instead

of the later pale yellow.    Has anyone found these quilts anywhere else

besides PA?   I've always thought of them as central PA quilts, so would

be interested to learn if they are found elsewhere.  Thanks for any

information.


Barb in southeastern PA

<bgarrett@fast.net>


------------------------------


Date: Fri, 24 Sep 1999 18:14:25 EDT

From: Palampore@aol.com

To: QHL@cuenet.com

Subject: QHL: Flood Relief continued

Message-ID: <450e9b07.251d51c1@aol.com>

Content-Type: text/plain; charset="us-ascii"

Content-Transfer-Encoding: 7bit


Thank you so very much for all of the notes I have received and the

outpouring of generosity.  I have had 2 from VA to even volunteer to drive

down to help wash quilts.  We are not to that yet, but it could get crazy.

Yesterday and today I mailed and hand delivered 50 copies of a 4 page article

I put together with your help and the help on many wonderful sites on the

Internet.  It is entitled "How to Care For & Salvage Your Textiles After a

Flood".  The article tells how to handle all wet textiles intitially and then

the many options to choose from ---------bath tub wash, machine wash, freeze,

dry cleaner, professional conservation, etc.  I also gave them a long list of

sites that offer info. on taking care of flood damaged textiles, paper,

photographs, and important papers.  I put in a note about you gals and told

how grand and supportive you have been by sharing info.

I sent it to quilt guilds, county extension office, fabric shops, newspaper,

TV station, and churches who have salvage crews.  This afternoon I got a call

from the local TV station and they did a 2 min. interview with me tonight

about the article and it's info.  It was way too short and I didn't get in

much info. but they are willing to mail and distribute the article to

whomever wants it.  I was elated that they are doing that!  The county

extension office is putting it on their web site and sending it to the other

extension offices.  I must now get it to other newspapers and TV stations.

The waters are finally beginning to recede at 6 ins. to a ft. a day.  Marta

had a quilt that was at the QRConference in Omaha which had been in a flood. 

It was brown from the water of a flood.  I bet eastern NC will have a bunch

of brown quilts once all of that water goes down........ But hopefully, they

will keep them and treasure them still even though they might be a different

color. 

Some of you asked for the article.  Once I figure out how to load it to share

I will let you know.  Speaking of sharing....I told the guilds that some of

you have offered to share fabric with those who might have lost fabric in the

flood.  When I hear from them I will let you folks know.

Another note-----Pepper Cory's book on quilt marking techniques is out.  It

tells all about marking tools, choosing designs to go with certain fabrics,

stencils are shown and instructions given on using and making them, tricks of

the trade are given like how to do corner designs .......  All of these

techniques that can get you ready to quilt by hand or machine.  The

photography is great and  she has a super variety of new and old quilts with

lovely quilting on them.  (I think Kris has the book for the sell.)  It is

fun to read as well.  It is just like sitting down and having a talk with

Pepper.  And she is a great conversationalist.  You will become very attached

to this book immediately.

Thanks again, Lynn in New Bern, NC


------------------------------


Date: Fri, 24 Sep 1999 18:36:19 -0400 (EDT)

From: JOCELYNM@delphi.com

To: QHL@cuenet.com

Subject: QHL: Fs and ss

Message-id: <01JGCX0TT90I8XA9F9@delphi.com>

Content-type: TEXT/PLAIN; CHARSET=US-ASCII


THe 's' that looks like an 'f' came from early printing presses. I forget

what were the rules about when you used an elogated s and when you used a

regular s, but there WERE rules.


Also, the Y as in 'ye olde' was a 'thorn', or Old English 'letter' for 'th'.


So the 'ye' in 'ye olde' was really pronounced 'the' (not as in God rest

ye).


Historically, people spelled things any old which way. Webster was the

pioneer for standardized American spellings- it was only after WE started

saying that each word had one and only one right spelling, that the English

started the same rule. That's why we and they have different spellings,

because we'd already split away from the Empire, and Canada uses British

spellings.

There are princesses of England that no one knows what they were called,

because at different times they spelled their own names Joan, Joanna, Jane,

etc. It could be that they were named one and nicknamed the other...but

since they rarely wrote except on legal documents, you'd expect that they'd

use their legal name all the time, and not sign a nickname.

Jocelyn


------------------------------


Date: Fri, 24 Sep 1999 18:51:06 -0400

From: Alan Kelchner <quiltfix@mail.jax.bellsouth.net>

To: "Judy Kelius (judysue)" <judy@chesco.com>

CC: ".Quilt Heritage List" <qhl@cuenet.com>

Subject: Re: QHL: interesting ....

Message-ID: <37EC0059.85823A03@mail.jax.bellsouth.net>

Content-Type: multipart/alternative;

 boundary="------------F8A107A636E869EA187B7CC9"


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I was hoping someone might have an idea on this, I surely didn't.  Oh,

and I spend a lot of time on eBay looking' at the pics ......  Actually

bought one, have returned another. Thank goodness I'm not addicted!


Alan


"Judy Kelius (judysue)" wrote:


> Maybe the circles didn't quite fit together?

>

> Quilters can be inventive when things don't work quite as planned - I

> sold a mid 19th-century "Rising Sun" top a couple of months ago that

> had seven divisions rather than eight! I doubt that it was planned

> that way - there was probably too much fullness with eight wedges. It

> was a strange shape!

>

> At 11:35 PM 9/23/99 -0400, Alan Kelchner wrote:

>

>> interesting Wedding Ring Variation:

>>

>> http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&item=166010268

>>

>> Alan

>> never any connection to the dealer

>

------------------------------


Date: Fri, 24 Sep 1999 20:56:36 -0700

From: pastcrafts@erols.com

Hi guys,

  I just got back from one of the Washington/Baltimore area's best (Re:

some affordable prices) antique shows: The Tobacco Barn Show in Upper

Marlboro, Md.  A very long running show that benefits the local parish

and school complete with local (wonderful) food sold at the concession.

A dealer there had a set of 4 quilt clamps.  They are wrought iron, in

mint condition, $65.00 for the set.  They look like my husband's wood

working c clamps but are curved.  The dealer is just lovely, cares about

her things and was thrilled that I knew what they were - most visitors

do not.  She does not usually carry sewing/ textile related things.  Her

booth is mostly late victorian kitchen stuff and brass kickknacks of the

period.  I took her card.  She seems to want them to go to a happy home

where they will be appreciated.  The show goes through Sunday the 26th.

I can give the dealer info to anyone - e-mail me or call my 800

number(1-800-507-9356)

   If you are with in striking distance it is a fun eckeltic mix of real

kitsch, golden oak, and some really wonderfull stuff - like 18th c. iron

cooking and very early lighting impliments& some really amazing

samplers.  Quite a few quilts including a knock your socks off chrome

yellow 4 quadrant (like a 4 block but a wholecloth chrome yellow

background) floral applique that the dealer claimed was 3rd quarter 19th

and Moravian @$2300.  Her booth had the quality to back up the claim -

but she was very "sharp" in the unflattering New England sense of the

word!

  There was also a really terrific pinapple log cabin in mid 19th c.

fabrics.  I couldn't really get to it to examine it, but that dealer

also had really good stuff, was very nice and welcoming, & her other

prices were fair.  This has great visual appeal for a mere $1450.00 

  I actually bought a quilt, a first for me ( I have cats!) but it is an

mid 19th c. red and white oak leaf applique top which was backed and

bound & quilted c. 1900 from the looks of the stitching , etc.  The

price was fair - especially after I asked him for his best price!  The

dealer does not usually deal in textiles so what did he know!

  I also got a tiny sampler dated 1839 just the alphabet and numbers.

It was done by English orphans in the industrial period as proof of

their needle skills - a sort of "resume".  They were usually part of a

book.  I had read about them - but had never seen one.  I do not think

that we did that in the US or at least I haven't seen any references to

it.  Do any of you English QHLers have any more info?

Cheers

Newbie in Alexandria, Va.

  99264 ]



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