All pictures below are
thumbnails. Click on them to see them close up. 
The theme for today's meeting was indigo blue and cheddar orange, chosen by our hostess Judy Grow, who just happens to own an indigo blue skirt and a cheddar orange shirt which she wore to the meeting. We were all properly impressed:-))
The quilt above was one Judy had on the wall of the studio. She had
purchased it as a ragged top, taken it completely apart, recut the pieces,
remade the top and quilted it.
 We
opened our meeting by comparing two very similar Lone Star quilt
tops brought by different people. The one on the left has an
exploding star at the end of each ray in typical New Jersey style. The one on the right has
stars appliquéd in the open areas. Both were made in the first
quarter of the 20th century.
 More
indigo tops from the same owner, all circa 1900. We decided we liked
the one to the left the best. Those blocks are 4 1/2"
square. Does anyone know what this block is named? We thought
it was the Improved Economy block, but that may not be it. This
led to a discussion on quilt block names. Cinda pointed out that
most blocks were not given the names we use now until the twentieth
century.
A
cheddar orange and green top. The best thing about tops, we decided,
is that you can turn them over and see the construction.
Our
newest member brought these two wonderful quilts. The one to the
right is a signature quilt with what appears to be the owners name
embroidered in the pink sash in the middle. The one below was
purchased in an antique shop and came complete with the newspaper article
in which it was featured. It was made by the Nimble Thimble quilt
group. The owner copied the newspaper on fabric and included it in
the label.
 This wonderful
early quilt was a great fabric study.
 c
1820 Indigo and white spread. It appears these blocks were
originally part of something else (bed hangings?) and remade into this
quilt. It has a weeping tree and swag border, which generally
indicates a New York quilt.
A sampler quilt (above)
Why would anyone put such flimsy fabric on the edge of the quilt?
You can see through it.
 This
Fractur quilt was all inscribed by the same person. We discussed the
reasoning behind signature quilts and concluded that sometimes they were
made for no reason at all.
 Can't
miss this one in the dark.
 This
quilt top was purchased at a garage sale in Scranton PA. We decided
that maybe the maker had only seen a princess feather quilt briefly and
this was her attempt to recreate the feathers, birds and swags she only
vaguely remembered.
 This
an ordinary four patch quilt with squares appliqued over all the
intersections, making a snowball effect.
This
"S" quilt was owned by a woman named Sue.
Here are more wonderful things we saw:
Barb Garrett dazzled us with some of the doll quilts she brings to her
lectures.
Reproduction double purple in this replica |
backing is a Cocheco repro |
Barb made a mini version of the quilt above |
This is actually a skinny T block |
Top made by Barb using vintage fabrics |
Quilt made by Barb using vintage fabric |
An Underground Railroad Doll Quilt |
Nine patch center |
 Is
the quilt to the right a Lady of the Lake? No, we decided. The
indigo blue and white quilt is Lost Ships. A Lady of the Lake is to
the right. See a closeup of the fabric below.
Nancy
Kerns shows us the applique she will be teaching at the Elly
Sienkiewicz Appliqué Academy this year.
 Did
the lady in the funny hat make the quilt to the left?
a
typical Texas quilt - wild and woolly
 These
old blocks were put together in an imaginative setting
Closeup of signature
A Thousand Pyramid quilt gave us a great fabric study of novelty
prints.
A damaged top presently undergoing restoration also gives us a great
peak at old fabrics.
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