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From Judy: What we saw today... Tuesday, January 21, 2003. I hope I've got
this all down correctly. Again, Thanks to Barb Garrett for being our scribe! It
must have been hard to continue to write everything down Barb, what with
constantly wiping the drool from your chin! We missed those of you who weren't
here today. Plan on being with us on March 18th. Bring quilts that look green,
small quilts, and everything else wonderful!
From Kris: These pictures were taken at the January 21st meeting. The theme was
"log cabin", although we certainly saw other wonderful things! They are thumbnails - click on them to see them close up.
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Judy started the meeting by showing us 3
quilted petticoats (below) belonging to various people. The green one is wool. The black one is
silk and dates to the 1850's. Click on the thumbnail to see the
beautiful handquilting. The quilt on the left is one she made
for her son in 1990 It is a Log Cabin T-quilt in soft colors of rose,
blue, green, and ecru, with the fabrics forming overlapping diamonds.
Inspired by Emiko Toda Loeb. |
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(above) A black silk hand quilted petticoat from the 1860's. The
quilting is in chevrons, feathers, and triple cables. The bottom is
edged with a fine black crocheted lace. A blue-green quilted petticoat
with a wool backing and blue wool crocheted lace at the bottom. The
machine quilting is in triple cables and straight lines. A white cotton
petticoat machine quilted in straight lines and triangles. It was edged
with an ecru crocheted lace border. The three petticoats were bought
from the same dealer within weeks of each other at the Lambertville Flea
Market and could have come from the same family. BG also has a machine
quilted petticoat from the same dealer (the most intricate of the
machine quilted ones as I recall) bought at the same time.
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Jan
showed us a log cabin she had restored. She had been give a very
dirty and damaged log cabin quilt. After a great deal of washing,
she discovered it was a red and white quilt. She took the quilt
down to it's blocks, then repaired what she could and remade the
quilt. It was worth the work!
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| The three pictures below are of a quilt Jan is
restoring. The owner still had the original kit pieces and diagram,
a Paragon kit #1046 from the 30's or 40's. The design is a sunflower in
a wreath of leaves. With the quilt came a box of unused blocks and
preprinted panels, both for the applique blocks and the alternate plain
quilted blocks. |
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 A
wool foundation pieced log cabin top in bright solids in a barn raising
setting. Colors included lavender, bright peach, more than one deep
purple, and aqua. Late 19th century
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Another
wool log cabin |
Log
cabin with half square triangle center. Click
here to see an individual block. We discussed the double blue
in this block, discovering that it is also called Lancaster blue or
Pennsylvania blue in different parts of the country. |
 The
block to the right is a closeup from a two color quilt with a pinwheel
for a center block. VERY graphic! |
Here is an unusual set for a log cabin block |
Chinese Lanterns or Courthouse Steps Set |
Streak of Lightening Set |
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Don't forget these pictures are all
thumbnails.
Click on them to see them close up. |
This log cabin quilt has a border of squares |
Aren't
the fabrics in this block great? You can just barely see a stamp
in the upper yellow strip. |
 Proof
of a pre Abraham Lincoln log cabin quilt. Made about the time
Harrison was running for President, (1840) this is done in a madder red
and butterscotch. |
Another
early log cabin, this one a crib quilt. |
Two
different quilts with almost identical borders. |
Home
is where the heart is - made in the late 80's using vintage
fabric. Note how the houses are fussy cut to make the best use of
the fabric design. |
A
beautiful cretonne print on the back of this block. I couldn't
resist, I had to look up the definition of cretonne:
"CRETONNE, originally a strong, white fabric with a hempen warp and
linen weft. The word is said to be derived from Creton, a village in
Normandy where the manufacture of linen was carried on. It is now
applied to a strong, printed cotton cloth, stouter than chintz but used
for very much the same purposes. It is usually unglazed and may be
printed on both sides and even with different patterns. Frequently the
cretonne has a woven fancy pattern of some kind which is modified by the
printed design. It is sometimes made with a weft of cotton waste." |
Cheater
cloth backing on the back of a log cabin quilt. |
 A
very early trip around the world variation. The thumbnail to the
right shows a closeup of the corner with a twill binding. The
stripe is the backing. |

There are some great early 19th century fabrics in this quilt. The
thumbnail to the right is an extreme closeup of the center signature
block. |
The Stars aren't obvious at first glance. This quilt has a variety
of double pinks, or Norwegian prints as they were once known in
Massachusetts, because they were an inexpensive print the Norwegian
immigrants could afford to wear. |
Spider Web quilt top to brighten up our winter doldrums! Click
here for a closeup of the block |
 Recognize this block? |
A nosegay to brighten your day. Click here to see a single block |
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The Mothers Day top |
 Another
Mothers Quilt - Sue Reich made this for her son for his graduation
present from West Point . The thumbnail to the right is of the center signature
block - large center square with signatures gathered secretly from his
friends over a year s time was surrounded by blocks of photo
transfers of his 4 years at the Point and had triple sashing with stars
at the corner blocks. everyone he went to school with, collected in secret. |