OH, KY, IN, IL
The Midwest Fabric Dating Study Group went a little "crazy" on
Saturday, March 6 as we immersed ourselves in Crazy Quilts in Bloomington,
Indiana. (all pictures are thumbnails; click on them to see them close up)
Sixteen members and three guests congregated at the Monroe County Public Library
with several of the group arriving a day earlier for the 13th Annual Indiana
Heritage Quilt Show, also in Bloomington. We began at 11:00 a.m. with a slide
presentation by Dixie Webb of Tennessee on "Japonisme - The Influence of
Japan on Western European Art" and by extension the influence on
quiltmaking. We viewed a variety of oriental images (screens, pen and ink
scrolls, and paintings) as well as works by several Western artists (Mary
Cassatt, Edgar Degas, Claude Monet, Van Gogh) that present the Japanese
aesthetic of asymmetry, two dimensional perspective, and emphasis on pattern and
line.
Joanna
Evans, who is researching a crazy quilt made by her great-aunt, Sara Frances
Cory (Mrs. William S. Mayor), presented a brief overview of crazy quilt documentation,
including viewpoints from Ruth Finley, Penny McMorris, Virginia Gunn, and Cindy
Brick. After a brief lunch break and dessert that included a crazy quilt carrot
cake, we donned white gloves and began to look at the quilts.
First was the quilt made by Joanna's great aunt, which had won a first place
ribbon in the World's Columbian Exhibition in Chicago in 1893, held to
commemorate the 400th anniversary of the discovery of America by Columbus. Next,
one of our guests, Trudy Schmidt, wowed us with her ever-growing collection of
crazy quilts, many of them purchased on e-bay. She is devoted to their care and
maintenance and is learning conservation techniques to slow the silk
deterioration as much as possible. Most of her acquisitions are in excellent
condition and they provided an array of painted, embroidered and fancy-stitched
surfaces.
Of
special note was a quilt with embroidered turtles, which she recently learned is
a Japanese symbol of good luck. Another of her quilts that sparked comment
contained what we called "wooly worms" - eight small caterpillar-like
lumps with stripes of red, purple yellow and blue - set in pairs on the quilt's
surface.
 Wooly
worm quilt
Also
unusual was the wool batting, the wide variety of intricate embroidery stitches
containing metallic thread and the quilting through all layers.
 Another
of her quilts had an intricately embroidered letter "J" and a date of
1889, but no known history.
One
of the quilts (1930s) was made of pieced diamonds assembled in strips with a
Nile green backing and several fabrics with polka dots. Still another quilt had
no painting or embellishment, but was made of many dressmaker silks in different
colorways. In addition to many full-size quilts, Trudy also showed us several
smaller pieces - one of which she rescued after finding it stapled to a dealer's
ironing board!
 One
of the most notable quilts of the day was a dated 1883 crazy in extremely fine
condition with an "ice cream cone" border. Made in New Jersey, the
quilt had a large "R" embroidered in the center for the Rambaut family
(of Georgia) and images of lilies, wheat and Kate Greenaway figures.
 Ice
Cream Cone Quilt
 Another
fine example was made in Montgomery County, Indiana (1880-1900) by a world
traveling quilter who included a variety of embroidered images of wildlife and
plants. This particular quilt was also interesting because of the backing made
of a silk flag with 38 appliquéd stars.
 One
of the most recent quilts was made in 1976 by Guy E. Hughes (a female) and
purchased in Paducah, Kentucky. The quilt was made for the maker's husband and
contains many complex images of birds, as well as some of his silk
neckties.
 Another
extremely fine quilt had an intricate basket of flowers in the center of a
6-pointed star and had been made for a political figure in the owner's family in
West Virginia. This quilt had a wide blue velvet border and a braided binding.
Another quilt was dated "Merry Christmas 1893" and contained 36
blocks, one which featured a large image of a rooster, the symbol of the
Democratic Party before the donkey. Interspersed among the finery were several
utility crazies, one of large wool pieces made after the turn of the century
with a plaid backing and tied with pink yarn visible only on the back. Another
was an all cotton quilt made about 1910 in the crazy-patch style and paper
pieced by machine. Most of the quilts were "contained" crazies (made
in a recognizable block format), although at least 2 of the quilts were more
randomly pieced.
Our next meeting is scheduled for Saturday, May 15 in Cincinnati, Ohio where
we will meet with Linda Pumphrey for an in-depth study of batting at the
Mountain Mist facility. In July, we will travel to Marion, Indiana to The
Quilters' Hall of Fame Celebration 2004 to take part in the Grand Opening of the
Marie Webster house (July 17). |